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West England Bylines
Home Society Art

Sacrifice. Is it a question of belief?

With this Easter poem Martin Griffiths explores the interpretations of sacrifice as depicted in various crucifixes

Martin Griffiths by Martin Griffiths
29 March 2024
in Art, Media, Poetry
Reading Time: 2 mins read
A A
Detail from Grunewald’s Isenheim Alterpiece – Source - Author

Detail from Grunewald’s Isenheim Alterpiece – Source - Author

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Now the paintings are painted
And the photographs published,
What is the truth
About sacrifice?

In the National Gallery,
According to Raphael,
When Christ died,
Angels danced on clouds
And the gentle blue haze
Of the distant landscape,
Melted serenely into sky.

In Colmar,
Grunewald rendered suffering
With a more brutal palette.
The fingers twist in grotesque horror,
His skin is torn.
The physical pain
And suffering,
Appears so real.

Then, yesterday, on the train,
I saw him again.
A tiny golden crucifix
Around the neck
Of the girl opposite.
She twisted it nervously
In her white fingers
As she read the news.
On her phone.

So.
Where does the truth lie,
When all our pictures
Tell a different story?

Ed: Raphael’s Mond Crucifixion in the National Gallery depicts a peaceful Christ whereas Grunewald’s Isenheim Alterpiece in Colmar shows a Christ pitted with plague type sores.

Raphael – Mond Crucifixion – National Gallery
Grunewald – Isenheim Alterpiece – Colmar

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Martin Griffiths

Martin Griffiths

Martin grew up on a small farm on the Herefordshire/Worcestershire borders where he seemed to spend all summer picking fruit and all winter chasing lost sheep. After College he set up a successful ceramics workshop in Cirencester but after travelling in Africa he took on a teaching post including Art, Drama and Sports before eventually becoming a Housemaster and wearing a suit and tie every day! He spent the next few years teaching mainly Art, Photography and Literacy part time at an FE College and combined this with being a Barman, Chef, Photographer and Food Writer. He moved back into full time teaching with posts in Greece, Switzerland and France, mainly teaching Literature, and now combines examination work for the International Baccalaureate with making Ceramics, Drawing and Writing. He remains Chair of Tewkesbury for Europe.

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