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West England Bylines
Home Society Poetry

Take Three Eggs

A poem for Easter

Martin Griffiths by Martin Griffiths
3 April 2026
in Poetry
Reading Time: 2 mins read
A A
A photo of three eggs- white-, cream-, and brown-shelled

Photo by Martin Griffiths

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Easter eggs have multiple meanings and connections. Traditionally a symbol of fertility and rebirth, in Christianity this is often linked with the resurrection of Jesus and the end of the privations associated with Lent.

The tradition of decorating Easter eggs appears in multiple cultures. The wrapping of eggs in onionskins and then in wool before boiling is one popular method of creating interesting patterns.

The word Easter is derived from the name of an Anglo-Saxon goddess of spring and fertility, Eostre, while in most countries the name for Easter comes from the word Passover: Paques in French, Pascua in Spanish and Pasqua in Italian.

Chocolate Easter eggs are a relatively recent phenomenon, with Cadbury’s producing commercial examples by 1875.

Eggs can have multiple uses. Including symbolically, culinary, and poetically.

Take Three Eggs

Take three eggs.
One white.
One cream.
One dark brown.

Crack their shells
And mix their contents
In a bowl.
Whisk, lightly.

Season with salt
And pepper.
Add fresh herbs
And a variety of spices.

Heat a touch of oil
In a pan.
Add the eggs.
And blend together, gently.

Cook with love and care.
Slide onto a plate
To enjoy the tastes
And flavours of diversity.

Take three eggs.
One White,
One cream,
And one dark brown.
A photo of three fried eggs
Inside three eggs. Photo by Martin Griffiths

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Martin Griffiths

Martin Griffiths

Martin grew up on a small farm on the Herefordshire/Worcestershire borders where he seemed to spend all summer picking fruit and all winter chasing lost sheep. After College he set up a successful ceramics workshop in Cirencester but after travelling in Africa he took on a teaching post including Art, Drama and Sports before eventually becoming a Housemaster and wearing a suit and tie every day! He spent the next few years teaching mainly Art, Photography and Literacy part time at an FE College and combined this with being a Barman, Chef, Photographer and Food Writer. He moved back into full time teaching with posts in Greece, Switzerland and France, mainly teaching Literature, and now combines examination work for the International Baccalaureate with making Ceramics, Drawing and Writing. He remains Chair of Tewkesbury for Europe.

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